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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
玛德琳的玛德琳
《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。
贪种滋生
The bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
伉俪
一对爱侣Liz和Malcolm去到一座偏僻的小屋度假，Malcolm却因意外先回城了，留下Liz独自一人，她很快发现这座小屋有着邪恶可怕的过去，如今缠上了自己。
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观影评论
一句话，长安荔枝使，有些人再怎么努力就是全力引导根本会不会在她身上，沈就是大佬才不管你们这些渣渣
小鸟和陈大师[:a狗头:]拿图吱声[:a滑稽:]
六味地黄丸！[:a可爱:][:a无奈:][:a狗头:]
怎么这么突然我还什么都没看到呢
这个多久更一次啊？还更吗？两个月了
不怕没好事就怕没好人真的那个薛雪就是个活生生的例子
还好一周俩更，不然这兄弟得在树上挂一周，估计得凉
那个啥你们没猜错就是吞眼珠她姐姐为了让她好受点骗她是巧克力豆