365个孤独的清晨：她在乡村的秘密

从社交媒体差评到治疗师的真相炸弹， 特雷弗·诺亚在这场搞笑、犀利又轻快的单口喜剧演出中将混乱变为喜剧。

父亲一去不返，原本在城市上班的阿亮，回到被遗忘的沙洲，寄居河边破房子，在垃圾场打工。岛民为土地公抬轿，被丢弃的神明都挤在寺庙中。阿亮发现神秘红裙女子漂浮于河上，她似乎有着不堪回首的过去，或许她根本就是河鳗化身？视觉艺术家朱骏腾首部长片，取景于台北市内遭限制开发逾半世纪的社子岛，建构如梦似幻的幽灵地带，以浓烈的符号和隐喻，展现实验风格，透过一段萍水相逢的奇遇，映照生命的困顿与无常，探索欲望与归属。柏林影展视角单元。

　　一位单身母亲需要工作，一个滑雪度假村需要圣诞老人。泰勒假扮成圣诞老人，她能否骗过迷人的酒店继承人，拿到这份工作？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

一块宝地遭人惦记、一枚军功章引贼来、十万现金不翼而飞，夜半老汉离奇昏迷，三名陌生男子横躺家中。是阴谋？是误会？层层乌龙背后，深藏的是荣誉执念与亲情渴望。当真相揭开，一切竟源于最朴素的执念与最阴差阳错的误会……荣誉与亲情，最终将如何安放？

　　阿里（福里斯特·惠特克 Forest Whitaker 饰）和母亲是从曾经惨绝人寰的种族屠杀中幸免于难的幸存者，虽然如今的他已然出人头地成为了开普敦警局重案组的负责人，但儿时充满了血腥和恐惧的回忆依然沉淀在他的内心之中，阴影挥之不去。　　布莱恩（奥兰多·布鲁姆 Orlando Bloom 饰）是阿里的下属，他的家族成员曾经是种族隔离活动中的激进分子，不过这并没能够影响到他和阿里之间的信任和友谊。一连串凶杀案的发生和一种新型毒品的出现将城市推到了风口浪尖，直到这时，肩负着巨大压力的阿里才发现，那些他以为已经成为过去的事情，其实并没有真正的过去，也永远都不会过去。