电车魔女3亵渎天使

　　In the near future, drugs and crime have risen 500%. A disintegrating police force is unable to deal with this horrifying problem...

Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

1945年在广西黔江红石滩上，曾发生过一场以少胜多、以弱胜强的战役，面对300多名的日军精锐，广西义勇军凭借红石滩天险设下“死亡陷阱”激战15小时，击毙120多名日军，狠狠地打击了日寇，极大鼓舞了当地民众的抗日斗志。