四度诱惑

大二在读的安小河，因高利贷等事遭到“追杀”，30岁画家康梅梅因接到“病危”通知，两人先后“逃”回到恒河边的家乡，与在村里梦想有一天能在河里找到传说中金碗的农民康大恒在争吵和交往中，安小河对康梅梅产生了不一样的情愫，父女多年的隔阂也冰释前嫌。

 1951年，英国乡村边缘，德卢斯家族的庄园已在岁月中斑驳颓败。11岁的弗拉维亚·德卢斯，是家族里最离经叛道的孩子——她痴迷化学，尤其精通毒药，更有着超越年龄的侦探天赋。当一具陌生尸体出现在庄园的庭院中，她的父亲哈维兰上校成了警方的头号嫌疑人。为了洗刷父亲的冤屈，弗拉维亚拿起放大镜与化学试剂，在老宅的藏书室、实验室与庄园的隐秘角落中展开调查。她周旋于警探、古怪的家族成员与小镇居民之间，在层层迷雾中探寻真相，而随着调查深入，她也逐渐揭开了家族隐藏多年的秘密。

2014年的法国迎来同性婚姻合法化。当妻子腹中孕育着新生命时，塞琳娜一边为争取收养资格收集证明材料，一边直面内心对母职的认知冲突。

　　龙雁飞（许冠文 饰）是一个著名的武侠小说家，十年了都没有新的作品面世了，不过以往的畅销作品仍然带给他客观的收入，生活无忧。他的女儿Sophia（杨千嬅 饰）是个早已到了适婚年龄，但她恋爱运甚差，只想找一个真正可以过日子的人结婚，其实她一直暗恋自己的上司——花花公子Frankie（刘青云 饰）。Frankie因为意外要搬到Sophia的家住，龙雁飞看见自己心爱的女儿被Frankie当工人使唤，心里很不是滋味，便对Frankie充满了敌意，但在后来的相处中，两个男人又成了知己……

 大漠之上，镖人、官府、西域五大家族等多方势力盘根错节、暗潮涌动。“天字第二号逃犯”刀马接下特殊押镖任务，和同伴一起从西域护镖远赴长安。不料，他们的护送对象竟是“天字第一号逃犯”知世郎……天下熙熙皆为利来，各方势力闻风入局，抢镖厮杀接连上演……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster