黑狱圣女

制片徐蝦（李璨琛飾）及副導演張炳文（姜文傑飾）帶領拍攝團隊正在泰國進行《雌雄大盜》電影拍摄。誰料發生一連串意外及失誤令拍攝進度雪上加霜⋯⋯劇中當紅的男女主角在沒有完成戲份下便要收工，監製（田啟文飾）竟然毫不動氣，原來第二天已經挾款逃亡，只剩下一大筆債務。 就只有拍攝好的七成戲份，到底剩下配角詹記（詹昊宸飾）與劉連飄飄（曾美慧孜飾）及幾名劇組人員在沒有男女主角的情況下能否順利完成餘下的戲份嗎⋯⋯？

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

野长城丢了一块砖，富贵为了寻找自己藏在砖里的戒指，踏上寻砖之路。