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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
背后有人2025
郑文森,王子涵,邹超军,刘刚,万斯佳老楼真有鬼,背后不是人!青年录音师入住鬼楼,听到鬼频率,看到鬼飘移……长发女鬼,时隐时现,时而爆发出惊人尖叫,时而传来隐隐的鬼哭……突然之间,女鬼出现在房顶,一回头,女鬼又惊现在被子里!惨叫不断,惊吓不断,鬼魅血脸狰狞扭曲,阴森鬼爪惊悚索命!女主陪同男主勇闯鬼楼,挑战千年怨灵,等待他们的是冤魂的报复?还是厉鬼的劫杀?一切都是未知!月圆之夜,人鬼决战呈现在荒郊野外,鬼BOSS终于邪恶登场,终极颤栗一触即发!谁敢回头看背后?颤抖吧,尖叫吧!
谍杀风暴
马里奥·卡萨斯,玛蕾拉·嘉里加,路易斯·扎赫拉,诺拉·纳瓦斯,丹尼·德拉托雷,克里斯蒂安·塔潘,尼薇·德·曼迪娜,克丽丝蒂娜·乌玛尼亚,里卡多·德巴雷罗,Luisa Vides,Fabián Aguilar,Sarah Cafaro,Miguel Brocca,Luis Carlos Babestas,Noa Badía,Jhonathan Saenz,皮拉尔·戈麦斯,Roberto Mateos,Alejandro Vergara,巴勃罗·阿尔瓦雷斯四名前西班牙特工在全球不同地点同时遇刺。西班牙国家情报中心发现,数十年前他们都在哥伦比亚参与了秘密的谢纳加行动。西班牙国家情报中心最出色的特工泽塔必须追查并保护唯一的幸存者,这将是他迄今为止最危险的全球任务。哥伦比亚顶级特工阿尔法将与泽塔并肩行动,而她似乎比他更了解谢纳加行动背后的秘密。
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我比不过五年级的
拿图吱声,这俩好甜,快来嗑[:a称赞:]
新婚快乐长图拼好了,要的自取
胖子减减肥就什么都有了,谁说宅男不能做好形象管理的?不要偷懒[:a无奈:][:a无奈:]
掉了的就是兰疯子的但是为了打脸皇帝又被拿回来可惜那些奸臣要被抽晕
还是没打完,就打了个开头,又得期待下周了,上周期待这周,这周期待下周👿
我的木兰呢?怎么好久不见了冰儿都生孩子了木兰就不能生吗?仇妖儿都带崽跑路了
過程呢?數學老師沒教作者過程是很重要的嗎?[:a生气:]
连人带🐎加重铠一刀砍翻,这已经不是人类了吧[:a咦!:]
拿图吱声,这俩好甜,快来嗑[:a称赞:]