娇妻四艳鬼

 根据余华同名小说改编。富少福贵（葛优）嗜赌成性，妻子家珍（巩俐）屡劝无果后带着女儿凤霞离开了他，当夜，福贵输光所有家产气死父亲，被迫靠变卖母亲首饰租间破屋过活。一年后，家珍手拉凤霞怀抱刚出世的儿子有庆回到家中，福贵痛改前非，开始靠演皮影戏过起安份守己的日子。但好景不常，内战时期，福贵被国民党抓去当劳工，一番辗转终回到家乡与一家人团圆后，凤霞因病变成哑巴，而在后来的大跃进运动和文化大革命中，他虽获某些小福，逆境却也一直与他如影相随。

　　不久前刚刚得知自己怀孕的艾玛（布丽特·摩根 Brit Morgan 饰），怀着异样复杂的心情随同尚不知情的男友麦克（希斯·戴维·米切尔 Seth David Mitchell 饰）来到一处位于雪山冰原之间的小镇度假。无垠旷野，万籁俱寂，看似一切都是那么浪漫美好，但是他们驾驶雪地摩托时遭遇事故，二人相互搀扶，勉强回到帐篷。在完全没有信号的深山腹地，麦克他们不仅要对抗严苛冰冷的自然环境，还要承受莫大的精神压力尽快修好雪橇摩托逃离此地。　　在此过程中，二人间爆发着争吵，而更大的危机正渐渐向他们逼近。直到某天，艾玛意外变成了这座山林中的孤身一人……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster