强奸4之最后的羔羊

　　来自21世纪的项少龙（古天乐 饰）曾意外穿越，并助秦王（林峯 饰）一统天下，这段跨越时空的宿命纠缠将两人紧紧捆绑，两人也成为亦师亦友的情感羁绊。然而，在项少龙归隐田园多年后，未知穿越者却骤然降临，大国基业陷入倾覆危机，秦王不得不求助于早已不问世事的项少龙。面对足以颠覆历史的强敌，他们能否放下芥蒂联手抗敌？那段掺杂着师徒之恩、君臣之畏与知遇之情的情感，又将成为保护彼此的铠甲，还是刺向对方的利刃？                        

　　Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.

　　有一户人家，他们世代隐居在由高墙和篱笆围起的一方天地里。与世隔绝的他们不论外界的时代如何更替，文明怎样进展，仍然固守着古老的生活方式，简朴、素雅、纯真。有时候，丰沛的阳光会穿过茂密的守护森林，毫无保留地照耀着每一棵古树、每              一寸厚土，也照耀着光影里两个精灵般嬉戏时而消失又突然显现的 少年。　　成长的路总不是一片坦途，正如叛逆的阵痛永远会如期而至。眼看着新鲜力量就要冲破这亘古的高墙和藩篱，然而母亲的离奇暴毙，妹妹的突然失踪，父亲愈发的心事重重，都令少年更加坚信自己身处在一个古老而危险的秘密之中，而这个秘密的答案，也许就能解开羁绊在自己和妹妹身上的神秘力量的终极谜题...... 

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.